After checking out the recent blog of my friend Holly Kellogg, and her reference to the polymer clay work of Katrin Neumaier, I decided to get out some of my own translucent Premo clay from last fall. I also ordered some translucent Pardo clay, inspired by Katrin’s incredible pieces. Holly blogged about some of her trials and errors with the Pardo, so I decided to try alcohol inks for tinting the translucent clay. It had been at least a few months since I worked with polymer clay, so I warmed up by fooling around with some simple beads. It took most of the first day just to condition the different clay colors I wanted to use, including some opaque colors.
I tried covering some mother of pearl beads and some copper beads with the mix of clays.
I can’t say I’m too fond of the “Citrus” ink color. It reminds me of pee. (well, post-vitamin pee maybe)
The lighter green also disappeared when layered over a copper bead. I was happy with some of the beads, so all in all it was a good warm up.
I stopped back into my studio, before bed on Monday, to get a feel for what I would try next. I draped some thin translucent clay over a metal form, to give it an unusual shape, and ended up with a sticky mess. But I also ended up with some midnight inspiration. Though it was really late, I started sketching…
Don’t you love it when you can’t wait to wake up in the morning to get going on a new idea? I filled my day in the studio with systematically mixing alcohol inks with two kinds of translucent clay; Pardo and Premo. I made similar earring components with embedded copper wire and pieces of silver, brass, and opaque clay. I couldn’t wait to see how they differed when fired. They sure handled differently. Premo is much softer and easier to condition. It looks more translucent in its pre-fired state. Pardo is crumbly and annoying to condition and it is more opaque in its unfired state.
For each earring I rolled the clay to a #3 on my pasta machine.
(I quenched all the pieces in ice water, just out of the oven. I tried to get them back into their positions on the tray for reference.)
Holy Pardo Batman! There really is a significant difference between the translucence of the two clays.
This is the first time I have used alcohol ink to tint clay. I was pretty relieved to see the Pepto Bismol pink turn into more of a salmon color, and the blue turn into less of a milky purple.
I learned a few more things from this batch that I will blog about later. I’m headed for bed and a day off-island tomorrow.