May 12, 2012 · 11:08 pm
And the photo cube. Before I priced pieces to send off to Red Dot Gallery on Deer Isle, I took the time to experiment some more with my new photo set up. I love having so much light available at the flick of a switch. What a concept.
It was interesting to see how different background colors and prop colors affected the feel of the photos, especially when the pieces were more colorful. (as opposed to being all silver) Here are just a few of the shots I took today:
Translucent Pardo polymer clay, colored with alcohol ink, embedded silver.
Stick or plexiglass rod? Which do you think works better? I waffle….
More translucent Pardo with embedments.
Same plexiglass rod, but different background colors. Bronze and copper metal clay.
Seaham Beach sea glass, fine silver PMC beads, Sue Kennedy lamp work beads:
Cedar print fine silver PMC beads on silver plated Beadalon™ with sterling silver and nephrite jade:
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Tagged as earrings, embedments, fine silver, Kuhl lights, necklaces, nephrite jade, photo cube, PMC beads, Red Dot Gallery, sea glass necklace, translucent polymer clay
January 26, 2012 · 11:19 pm
As part of my translucent clay experiments, I embedded bits of hammered wire and opaque clay between rolled layers of translucent clay. The layers were rolled to #3 on my pasta machine.
Discovery: Unless using the wire in a mechanical part of the design, it seems a waste of metal to embed it. Especially when using silver.
I was much happier with the look of pearlized white clay beneath a translucent layer, as in the round beads at the top of the photo below. To me the dots and lines show up well, and the pearlized white clay resembles silver, or what I hoped the silver would look beneath the translucent clay.
The beads in the lower part of the photo are copper beads covered with a layer of translucent clay tinted with “Salmon” colored alcohol ink. I was surprised at how the salmon color seemed to disappear when layered over the copper. In the mid-left of the photo are more copper beads covered with a layer of blue tinted translucent clay. It looks more purple than I thought it would.
Earring components from a random mix of green and blue alcohol inks. I’m not sure what this color would be called, but I used it as a base for the earring pieces. I made a design with black and white and added a very thin layer of the grayish green translucent clay on top. (I’m pretty sure this was Premo clay because I could bend these pieces almost in half without then breaking or cracking. The Pardo pieces were firmer after firing.)
As an experiment, I liked the way they came out. By chance, I think the smokey greenish color will mix well with silver findings. But, I really am at a loss when thinking about mixing color. I have no art background, so a color wheel memory is not readily available to me. (I think a little color wheel on the wall of my studio would be a good aid to my polymer clay experiments.)
Below, I placed a white unglazed ceramic disc between two layers of Pardo translucent clay. With the milky aspect of the clay before firing, I had no confidence about this turning into an interesting bead. So, I only made one. (duh, not thinking)
The disc bead, after firing, was a pleasant surprise. I plan to make more of these in a variety of translucent colors.
Imbedding? Embedding? As a “wordsmith wannabe” I had to determine which word is the correct one to use. Like Pardo and Premo translucent clay, either one can be used. Both are correct. The choice is up to the user!