Tag Archives: scratch foam

Copper beads

The results of more scratch form texture plates. I can’t wait to try some different patinas on these. But this has been one crazy week so far and it’s only half over.

Copper beads before firing:

Beads after firing and after tumbling:

I like the rich brown color of these without doing anything to change the patina., but I also used a polishing pad to see what would happen:

I’m anxious to try some verdigris patina and some russet red on these babies. Currently, all of my supplies are in little piles scattered through the basement. Bruce is building a new bench for me in my basement studio so I’ll have room for a second torch for some glass/enamel work. Right now all of my soldering, rock drilling and patina applying activities are on hold.

I like the primitive look of this little design I made on the scratch foam. I can’t wait to make a necklace using these beads.

 

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First attempts at scratch foam texture plates

In March, my friend Holly sent me this link to Wanaree Tanner’s blog. I love learning about any technique for creating texture in metal clay and this idea from Wanaree is quick, clean, effective and inexpensive. If you are unfamiliar with her work, take some time to explore her site. You will be blown away by what she makes. I certainly am!

Holly told me not to order any scratch foam myself because she had just ordered more than enough for the two of us, from Dick Blick. We had it on our list of things to try during our one day studio get-together in April, but we ran out of time. She gave me a bunch of the scratch foam sheets to take home. I got around to trying them last week, starting with some simple earring designs. Thanks Holly!

I had my usual “I-can’t-draw-for-beans” paralysis when I tried to think of what to do first with the foam. You literally draw on the stuff with a ball point pen. The indentations will come out as raised patterns when you press metal clay into your foam texture sheet.

I plan to make a whole batch of saucer beads in silver, bronze and copper clay. I’ll be applying patina to the copper after it’s fired. The high spots from this kind of texture will show up really well against the patina background.

I was drawing a blank on ideas for the beads when I started with these earring designs. Probably the best thing I could do for myself, to keep moving forward, would be to make a bunch of large circles in my sketch book, and start making doodles within the circles. Eventually I’ll come up with the design I’m looking for.

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